by Shawn Waggoner
Photography by Lynne Read, Valerie Malcolm, and Cora DeVe
Cheyenne Malcolm manages a delicate balancing act between blowing glass for his personal line of sculptural vessels and building hot shop furnaces, annealers, and glory holes for other studios to finance his artwork. Through founding Canned Heat Glass Studios, he discovered that fabricating state-of-the-art equipment for other glassblowers is an art unto itself.
This article was originally published on page 14 of the May/June 2019 issue of Glass Art.