by Shawn Waggoner
Photography by Eric Bladholm and Paul Messink
Paul Messink’s multilayered kiln formed glass panels draw the viewer into an ethereal landscape that represents the uncertainty of life and its myriad directions. He transforms paintings, historically a two-dimensional art form, into a three-dimensional scene by fusing together nine or more sheets of glass for a feeling of depth and dimension.
This article was originally published on page 40 of the May/June 2017 issue of Glass Art.
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