by Colleen Bryan
Rick Strini took up glassmaking as one of the many young artisan explorers of the 1960s backyard studio movement. Erwin Eisch helped him transition the furnace to glass and the artist from pottery to glassmaking. Strini’s work is recognizable for its bright opaque and cathedral colors plus his unique color palettes.
This article was originally published on page 42 of the March/April 2015 issue of Glass Art.
