by Colleen Bryan
About the time Richard Prigg left a career as an artisan and general manager for Willett Hauser to open his own glass studio, he bought an iPad and a simple iDraw program and became obsessed with lead lines. He still, however, considers color both an essential and a subtle element of composition.
This article was originally published on page 50 of the July/August 2015 issue of Glass Art.
