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Glass Art®
May/June 2022
Volume 37
Number 3
Independent Artist
Tim Rawlinson
Creating Places for Light to Play
by Joe Samuelson III
Photography by Sylvain Deleu, Ester Segarra, and Wakku Art Sääki
Tim Rawlinson began his artistic career as a painter before discovering the mesmerizing world of glass art. His series, Echoes of Light, is just one example of how Tim mixes primary glass colors like yellow and blue plus light to create a secondary shade of green. This magic is a constant throughout his work.
Artist to Artist
Lessons My Art Has Taught Me
Introduction by Vicki Schneider
Photography by Curt Kalousek, Joseph Ivacic, Bill Bachhuber, Kathleen Sheard, Kathy Engholm, Michael Barrett, Claire Kelly, Jen Elek, and Russell Johnson
Artist to Artist presents a behind-the-scenes glimpse into artists’ beliefs, feelings, and practices and provides a showcase for their work. Hot glass artist Joseph Ivacic, kiln forming/casting artist Kathleen Sheard, glassblowing/cold working artist Claire Kelly, and glassblowing artist Jen Elek share their thoughts on the lessons their art has taught them.
International Glass
Chris Day Politely Shouts
Dr. Julie Anne Denton
Photography by Agata Pec, Simon Bruntnell, Charlotte Graham, and John Bray
British sculptural glass artist Chris Day creates visceral work that is about the identity of a race of people and finding his own shattered identity after years of name calling, racial slurs, and prejudice. The artist is a storyteller who examines himself and racism through his artwork as he seeks to engage those who view his work in the conversation.
Hot Glass Studio Profile
The Fearless World of Amy Lemaire
by Sara Sally LaGrand
Photography by Amy Lemaire
Bead artist Amy Lemaire creates her work in a fearless fashion as she explores the evolution of beads throughout history. The artist teaches, chairs committees, lectures at conferences, and makes her own work, which is an exercise in fearless exploration. Amy strives to help her students see themselves in the history of glass and help the larger art world see flameworking as a serious path for exploration and study.
AGG News
The AGG Summer Conference at The Corning Museum of Glass
A Convergence of Glass History and History in the Making
by Kathy Jordan, AGG President
Photography by James O. Davies, Kathy Jordan, and Josh Probert
American Glass Guild members are eagerly anticipating the AGG Summer 2022 Conference in Corning, New York. World-renowned presenters from all sectors of glass art including Narcissus Quagliata, Thomas Denny, Judith Schaechter, and Laura Buchner will be featured along with a multitude of workshops, demonstrations, round table discussions, a Retrospective Exhibit, and GlassZoom Live.
SGAA News
Many Hands Making Light Work
Announcing a New Partnership and Major News for 2022
by Megan McElfresh
The Stained Glass Association of America (SGAA) is set to begin the first phase of a partnership with the Society of American Mosaic Artists (SAMA) at a joint conference in July 2022. Both organizations will coordinate the efforts of their Leadership Boards and committee volunteers to elevate opportunities for new ways to serve artists, suppliers, manufacturers, preservationists, and collectors.
CGS News
The CGS at New Ashgate Gallery, Farnham
An Exhibition of Joyful Reflections
by Pam Reekie
Photography by Simon Bruntnell, Sylvain Deleu, and Robyn Manning
The Contemporary Glass Society, as part of its 25th anniversary, will be collaborating with the New Ashgate Gallery to present Joyful Reflections. The exhibition will feature 15 exceptional makers working in a wide variety of glass techniques including blown, cast, fused, engraved, and stained glass through a collection of sculptural and decorative work.
ISGB News
The ISGB—Thirty and Thriving at the Annual Gathering
by Karyn Sweezy
The International Society of Glass Beadmakers will be holding its annual conference, The Gathering, 30 & Thriving, online. The event will bring artists together from all over the world. Beadmaker Amy Lemaire will be featured as the keynote speaker along with various presentations, workshops, vendor events, demonstrations, a Flame Off, and social gatherings. Preconference online workshops will also be available.
Personal Development
Creativity—New Techniques and Equipment
Sandblaster and Waterjet
by Milon Townsend
New techniques and equipment can add a multitude of innovations to an artist’s creative vocabulary. Milon Townsend shares how using a sandblaster and waterjet when creating sculptural glass art can help give an artist options for etching designs. They also help when preparing shiny glass to receive a dichroic coating and cutting archways in thick optical glass pieces.
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